HOW IT WAS MADE
This is a companion piece to a larger, separate story. Solomon allowed me to make creative decisions, which led to a unique and beautiful illustrated story - only further enhanced by his critiques and direction. I conducted a lot of research into medieval designs for the characters, dragon, and locations. I spent many hours illustrating The Grateful Dragon because I think it will lead to a powerful and immersive experience for young readers. Essentially, I created the type of children's book I wanted to look at when I was a kid.
IN MEDIEVAL TIMES
Knights, princesses, princes, and castles. The medieval times has always captivated audiences of all ages, and especially in the imagination of young children. This is a detail sketch of one of my favorite illustrations in The Grateful Dragon because the drama depicted in the figures' movements. Here, the evil knight has stolen the princess from the village at the very beginning of the story.
TO THE RESCUE
Inside the evil kingdom's courtyard, many knights are attacking the dragon who fiercely fights back as the prince rescues the princess. Despite the heavy damage, the dragon remains stoic, determined, and protective. This was an important detail in the story. I also wanted to include some variety of the knights - aggressive and hesitant.
THE DRAGON
This sketch depicts the dragon in his lair, nestled behind thick bush and rocks. The arrows and damage can still be seen on his body and wings.
THE PRINCESS
In a field of flowers, the princess is illustrated here picking flowers. Her design is inspired by traditional European medieval designs. I especially wanted to keep her hair natural and wavy. The red color of the dress was intentional so as to compliment the green dragon.
